GWGræy Witness · Werkdokumentation

113 · Sermon on Vinyl · Silas

Whenever Anyone Turns

Elf Studio-Blues folgen der Decke von Mose zum Herzen, vom Lesen zur Hinwendung und vom Sehen zur Verwandlung. Silas trägt die Fragen durch 2. Korinther 3, Jesaja und Petrus’ zwei Kohlenfeuer. Es ist Def Leberts erstes Blues-Album mit Sermon on Vinyl.

Whenever Anyone Turns — Licht zwischen zwei verhüllten Gestalten

Raum für die Frage.
Raum für die Stimme.

Mit diesem Album hat sich Def Lebert zum ersten Mal an Blues gewagt. Raue Stimmen, gesprochene Gedanken und wechselnde Gesangsanteile geben dem vertrauten Stoff einen neuen Klang.

Die Decke liegt auf dem Herzen. Die Hinwendung zum Herrn öffnet das Lesen und Erkennen; das Sehen führt weiter zur Verwandlung. Mose, Jesaja und Petrus begegnen einander in elf Studioaufnahmen.

Eleven studio blues follow the veil from Moses to the heart, from reading to turning, and from seeing to being changed. Silas carries the questions through 2 Corinthians 3, Isaiah and Peter’s two charcoal fires. This is Def Lebert’s first blues album with Sermon on Vinyl.

Blues im Klangregister entdecken →

Die Musik folgt mit dem Archivanschluss. Die Liedtexte und ihre Erläuterungen sind schon im Booklet lesbar.

113-01 · Studio

He Did Not Know

Mose kommt mit strahlendem Gesicht vom Berg und weiss es nicht. Die Furcht der anderen führt zur Frage nach dem Licht, das wir an uns selbst nicht erkennen.

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1

He came down from the mountain
With the two tablets in his hands
And he did not know

2

His face was shining
Everyone saw it
Everyone but him
They were afraid to come near
He wondered why

3

He did not know
That his face was shining
The man without the veil
Is the last one to see it

4

So he covered it
Not for himself
For them
And every time he went in
He took the cover off
And every time he came out
He put it on again

5

He did not know
That his face was shining
The man without the veil
Is the last one to see it

6

So if you cannot understand
Why they cannot see
Remember the man on the mountain road
He could not see either
He was shining

7

Everyone saw it
Everyone but him

Text und Erläuterung im Booklet →

113-02 · Studio

On the Heart

Die Decke liegt auf dem Herzen. Genaueres Hinsehen allein entfernt nicht, was schon das Lesen prägt; der blinde Fleck wird zum Bild der unbemerkten Überdeckung.

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1

It is not over the eyes
If it were over the eyes
You would see it

2

Their minds were hardened
To this day
When the old words are read
The same veil remains

3

It lies on the heart
Not on the page
Not on the eyes
But on the heart
That is why no one finds it
By looking harder

4

You can show a man the sun
And he will say: I see it
And it goes in through the eyes
And stops
Where the veil is

5

There is a spot in every eye
Where you see nothing
And you never notice
Because you do not see
That you do not see

6

It lies on the heart
Not on the page
Not on the eyes
But on the heart
That is why no one finds it
By looking harder

7

You read with something in the way
That you cannot see
Because you see with it

Text und Erläuterung im Booklet →

113-03 · Studio

Whenever Anyone Turns

Der Satz führt von Moses Hineingehen zur Hinwendung zum Herrn. Die Decke wird weggenommen; das mittlere der drei Schlusswörter benennt die eigene Bewegung.

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1

Here is the sentence
It was written about one man
Going into one tent
Two emphases have shifted

2

It used to say: whenever Moses
Now it says: whenever anyone
It used to say: went in
Now it says: turns

3

Whenever anyone turns
To the Lord
The veil is taken away
Not earned
Not pulled off
Taken

4

No tent to walk into
No mountain to climb
You turn to him where you stand
And it is gone

5

Every time
That is in the sentence too
Not just once, with a certificate
Every time you turn to the Lord

6

Whenever anyone turns
To the Lord
The veil is taken away
Not earned
Not pulled off
Taken

7

Anyone
Turns
Taken
Three words
And none of them is yours to do
Except the middle one

Text und Erläuterung im Booklet →

113-04 · Studio

Lest They Turn

Jesajas Gerichtsauftrag und Paulus’ Satz verbindet das Wort der Hinwendung. Das Türbild fragt nach der Richtung: zum Herrn.

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1

A prophet was sent with these orders
Make the heart of this people hard
Their ears dull
Their eyes shut

2

Lest they see with their eyes
Lest they hear with their ears
Lest they understand with their heart
Lest they turn and be healed

3

Lest they turn
That was the sentence
Lest they turn and be healed
Turning was the movement
That was to be stopped

4

And then a letter
Centuries on
The same verb
In a different sentence
Whenever anyone turns
To the Lord
The veil is taken away

5

The same word
Once as a door that stayed shut
Once as a door that opened
The hinge is the same
The words give the direction
To the Lord

6

Lest they turn
That was the sentence
Lest they turn and be healed
Here it says
Whenever anyone turns
To the Lord
The veil is taken away

7

The hinge is the same
The hinge was always the same

Text und Erläuterung im Booklet →

113-05 · Studio

Not Ink

Eine lebendige Gemeinschaft wird zum Brief Christi. Geist und Herz treten an die Stelle von Tinte und Stein; was können andere an uns lesen?

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1

Do we need letters of recommendation?
Papers?
A signature from someone important?

2

You are our letter
Written on our hearts
Known and read
By everyone

3

Not with ink
But with the Spirit
Not on stone
But on hearts
You are the letter
You are the proof

4

No one asks a tree
For a certificate
They look at the fruit
No one asks a letter
Who signed it
If they can read it
In your face

5

And this is the strange thing
The letter cannot read itself
It is read by others
Always by others

6

Not with ink
But with the Spirit
Not on stone
But on hearts
You are the letter
You are the proof

7

Known and read
By everyone
Everyone but you

Text und Erläuterung im Booklet →

113-06 · Studio

The Letter Kills

Der Buchstabe benennt das Urteil und gibt selbst kein Leben. Das englische Wortspiel führt zum veränderbaren Herzen: Der Geist macht die Worte zum gelebten Leben.

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1

One English word
Two meanings
The letter you send
The letters it is made of

2

The letter kills
Carved into stone
It names my guilt
It passes judgment
But judgment
Does not give me life

3

The letter kills
The Spirit gives life
Be a letter
But not made of letters

4

The ministry carved in stone
Had glory
It did
But that glory fades
The heart the Spirit writes on
Can still be changed
That is not its weakness
That is its life

5

A rule can tell me
What to do
The Spirit gives life
So the words
Become the life I live

6

The letter kills
The Spirit gives life
Be a letter
But not made of letters

7

Carved: the verdict
Written on a heart: life

Text und Erläuterung im Booklet →

113-07 · Studio

Where the Spirit Is

Wo der Geist des Herrn ist, ist Freiheit. Der Ort wird zum Liedbild für die unverhüllte Begegnung; damit ist Paulus’ Rede von Freiheit nicht ausgeschöpft.

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1

Seven words
No verb
No owner

2

Where the Spirit of the Lord is
Freedom
It does not say: you are free
It does not say: you have freedom
It does not say: freedom is yours
Where he is
There

3

Freedom is a place
You do not carry it
You stand in it
Or you do not
Where the Spirit is
There

4

So do not look for it in your hands
Do not look for it in your papers
Look at where you are facing
That is where it is
Or is not

5

This is not freedom from the law
That is another letter
This is freedom from the cloth
Between your face
And his

6

Freedom is a place
You do not carry it
You stand in it
Or you do not
Where the Spirit is
There

7

Seven words
And the one that matters
Is where

Text und Erläuterung im Booklet →

113-08 · Studio

Three Things a Face Can Do

Ein unverhülltes Gesicht sieht, redet und wird verwandelt. Hoffnung gibt Freimut; das Erkennen bleibt nicht beim Sehen stehen, denn der Geist verwandelt uns in das Bild des Herrn.

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1

Take the cloth away
And ask
What does a face do
When nothing is in front of it?

2

It sees
With an unveiled face
Beholding
The glory of the Lord

3

It speaks
With such a hope
With great openness
It says what it sees
Nothing held back
Behind the cloth

4

See
Speak
Change
Three things a face can do
When nothing is in the way
See
Speak
Change

5

And it changes
From glory to glory
It does not end
With what it sees
The Spirit of the Lord
Is changing us
Into his image

6

The cloth concealed
The end of a fading glory
But here Paul speaks
Of unveiled faces
And the Spirit
Who changes us

7

See
Speak
Change
Three things a face can do
When nothing is in the way
See
Speak
Change

8

Uncovered is not naked
Uncovered is being made

Text und Erläuterung im Booklet →

113-09 · Studio

Before the Veil

Vor der Decke war das Gesicht schon hell. Rückkehr klingt als persönliche Heimkehr an und führt weiter als bloss zurück: in die Verwandlung durch den Geist.

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1

Read the order
First the mountain
Then the shining
Then the fear
Then the speaking
Then the cloth

2

The cloth was not the beginning
It covered
Something already there
Before anyone covered anything
The face was already shining

3

Before the veil
There was a face
Before the cover
There was light
Turning
To the Lord
Like coming home

4

The word for turning
Can also mean returning
And I hear in it
Coming home

5

Coming home is more
Than going back
With an unveiled face
Turned toward the Lord
From glory to glory
His Spirit changes us

6

Before the veil
There was a face
Before the cover
There was light
Turning
To the Lord
Like coming home

7

He first
Then the cover
Then the turning back

Text und Erläuterung im Booklet →

113-10 · Studio

When You Have Turned

Zwei Kohlenfeuer rahmen Petrus’ Verleugnung und das Frühstück mit Jesus. Er wird gespeist, gefragt und beauftragt; die Zusage der Umkehr steht schon vor seinem Versagen.

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1

Before he denied anything
He was told
When you have turned
Strengthen your brothers
When — and not if

2

There was a fire in a courtyard
Coals
Servants
He stood with them and warmed himself
Heat from outside
Three times he denied him
I am not

3

When you have turned
Not if
When
It was said before the fire
It was true after

4

There was a fire by a lake
Coals
Fish
Bread
Jesus gave them bread
He was fed first

5

Then asked three times
Do you love me?
And with each question
A charge
Feed my sheep

6

Two charcoal fires
The same word
In two places
At the first he warmed himself
At the second he was fed
And asked
Do you love me?

7

When you have turned
Not if
When
It was said before the fire
It was true after

Text und Erläuterung im Booklet →

113-11 · Studio

Read by Everyone

Der lebendige Brief wird von anderen gelesen. Das Bild vom Bergweg fragt nach der eigenen Lesbarkeit: Was sieht ein anderer Mensch, wenn er sich hinwendet?

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1

Known and read by everyone
That is what a letter is for

2

You cannot hear your own voice
The way the room hears it
You cannot see your own face
The way the road sees it

3

Read by everyone
Everyone but you
The veil is seen by others first
The light is seen by others first
You are read
You do not read yourself

4

So when they are afraid of you
And you do not know why
And when they cannot see
What is so plain to you
It is the same road
From the same mountain
One of you is covered
One of you is shining
Neither one can see it

5

This is why you cannot
Turn another person
You can only be
What they see
When they turn

6

Read by everyone
Everyone but you
The veil is seen by others first
The light is seen by others first
You are read
You do not read yourself

7

Be legible
That is the whole job

Text und Erläuterung im Booklet →

Face to Face bleibt als stiller, noch nicht aufgenommener Nachsatz im Booklet.

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